Love the poster but the film feels very cheap, which I'm sure it was. The CGI especially is not good and the lead actress (AV star Maria Ozawa) gets almost no dialogue so you can't connect with her character much. Cronenberg was very smart with his writing on The Fly remake to be certain Seth Brundle didn't lose his speech until the very last transformation. Clearly, as you can gleam from the title of this Japanese movie, it's an obvious ripoff, erm I mean "clone," of the 1995 sci-fi flick Species. Regardless, I still kinda like it but it's a shame they didn't have more money and give Maria Ozawa more of a chance to actually act. I wish filmmakers would stop using bad CGI. It's a lot easier to forgive bad practical but bad CGI looks so lousy you are instantly thrown out of the movie. I always wonder about films like this. Were they trying to make something great or just something cheap to cash in? But I guess it could depend on who you ask: the producer or the director.
I love the satire and black comedy. Plus, fountains of blood win me over every time. Eihi Shiina, the lead actress from Audition, is outstanding of course. If only the film had a higher production quality. It looks way too cheap camera wise but you get loads of cool outrageous FX. Mostly practical. Some more convincing than others. There is some weak CG at times. The story reminds me a bit of eXistenZ and Cronenberg too with its engineer flesh keys. The PSAs about cutting yourself and harakiri are hilarious. It does cross the line of bad taste a few times for me but clearly that was the goal and I admire that it holds nothing back like it was born straight from the mind of a madman. The inventive FX and concept that allows for half-monster half-human hybrids is brilliant. I would definitely watch the promised sequel if it ever happens. It's an excellent concept with all kinds of potential.
I'm a huge fan of Ninja Scroll and its director Yoshiaki Kawajiri so I was very excited to watch this film. It didn't disappoint either. If only Demon City Shinjuku could've been on the level of these two but it was alright. I just didn't feel it reached these towering highs. I love the style of his films and the compelling nature of their stories but not going to lie. The insane bloody violence and sexuality are incredible too. They don't feel excessive in his work but integral to it although you could argue anything is excessive because it's all a matter of opinion. Something you feel is essential, another person could claim wasn't necessary but I really like what he shows and doesn't show. I wish we could get some live action movies as crazy as these. I don't think anything as really come close. I guess because you can get away with more in anime and you don't have to worry about doing such difficult FX. The demon designs are amazing and shocking.
I love the practical FX in this film. Sure, sometimes, they're not entirely convincing but they're always charming, original, and imaginative. The voice of the creature is excellent, and the story is compelling with a metaphor about addiction to drugs. Plus, it's all quite twisted with a lot of fantastic dark humor. The history of the creature is interesting and the film is a joy to watch. I already want to see this again. Frank Henenlotter is a filmmaker I really enjoy. I wish he had made even more movies like this and Frankenhooker, Basket Case, etc. I need to watch Bad Biology. So far my favorite of his would either be this or Frankenhooker. We're so lucky these films were even made. Damn I love the '80s. I really want to see every horror movie from that decade, good or bad. Even the bad ones tend to be better than most of what we get today.
You can tell these guys love movies, and their film is quite clever like when they pull the split screen trick or the amusing, unique opening credits. Clearly, they didn't have much money, and the FX leave a bit to be desired, but the banter between the two leads more than makes up for that. They're lowly video store clerks... pirated crappy videos at that as one customer complains about but their schemes and conversations never fail to entertain. I wouldn't call it horror even though there are some zombies and at least one tragic kill, but it's definitely an effective comedy. I enjoyed it immensely. I haven't seen many Hong Kong zombie films either so I like that unique angle too. It all takes place in a pretty cramped shopping mall but obviously such a location isn't foreign to amazing zombie films. The fate of several characters is actually surprising, and you do get some different zombie scenarios too like a prelude to the recent popular zombie love story shenanigans.
I always heard this is a horror film but nothing in it seemed horrifying to me except the sad old tale of a kind lover being tricked by a deceitful, sinister manipulator. That is hard to watch. A person's good heart robbed and taken advantage of particularly when that individual should know better but they fall prey nonetheless. Even more depressing is the one who stands by them despite such an awful betrayal that shouldn't be forgiven. That companion is truly a saint. Anyway, I don't want to give the whole story away, but it works, and it's a powerful film regardless of the year it was made. That makes it an even more stunning achievement. People constantly label films as old even when they're just from 1986 and it rubs me the wrong way since the 80s isn't old. 1932, yes, that's old, but tons of amazing films were made back then, and we should never discredit something simply because of when it was made. I love watching "old" films.
I probably wouldn't have heard of this film if I wasn't living in Tokyo now, which is such a shame. I love Japanese movies but even then so many can slip under your radar. Based on a true story, just the opening scene felt very authentic even having only been here a short time. Drunk salarymen are a common sight especially on the late trains, and sometimes, they get very unruly. It's extremely unfortunate. This is the story of a very shy nerd who decides to stand up for a girl when she is harassed by such a salaryman and then his ensuing attempts to court said girl who is clearly smitten with him after his heroic actions. What can I say? It's very charming and heart-warming, but you can also see how difficult it is for someone to come out of their shell particularly these days in the age of the internet. Changing yourself isn't easy. I know how that poster looks (and that was the best I could find) but this is truly a good movie with a very important message.
Another director recommended James Gray to me, but actually I never heard of him so I immediately watched a number of his films starting with his debut feature. Damn, what a way to start a career. Crime films tend to work really well for me. They're never boring, and this one especially is extremely compelling. Tim Roth just nails it. He feels almost like the shark in Jaws. A force of nature. Unpredictable. Volatile. He could explode at any moment. It's an awesome character, but he's grounded in reality too so it hits home more knowing there are people out there like him. They give some indicators of how he turned out the way he did but his own father still seems mystified although the dad clearly hasn't taken stock of his role in creating this devastating catastrophe. The stakes feel particularly high in this film. You know some bad shit is going to go down but you're not exactly sure how. It doesn't disappoint. What an ending.
But I like it. Ok, I'm exaggerating. Some people might like it. The film is about surfing. I don't like surfing. Ok, I'm so-so on it. I love Point Break. But not because it has surfing in it. A Scene at the Sea is not really about surfing. It is and it isn't. It's about following your dream. Following your passion and never giving up. That's easy for me to relate to. That's my life. And I like Takeshi Kitano. He isn't in the movie. He's only the director on this one but his style is so evident. If you haven't seen the films he directed, you really should, and you should start at the beginning. Violent Cop is awesome and no one will think it's slow or boring but he doesn't repeat himself. By the time he gets to this movie or Hana-bi, he isn't interested so much in showing violence anymore or pacing. He's going to go at his own pace and do his own thing. Either you're with him or you're not. Seeing his progression, it all makes sense, and I really like his films. The main character in this movie is someone I can instantly get behind. He collects trash (a garbage man... I don't know why I'm putting this in parenthesis but I love parenthesis... I have a problem) and he never speaks. He's deaf and mute. His girl is always by his side. It's really a fantastic film. I didn't think I'd be so into it. I'm pretty stupid sometimes. But I was really taken by this movie.
That doesn't sound exciting but Locke (2013) is so damn good. It's crazy because the director's other film that year is a Jason Statham action flick with tons of locations, set pieces, characters, etc. yet this insanely simple one-guy-in-a-car film kills it hands down. I had heard of this movie before but didn't see it until recently. Big mistake. It's another one that's worthy of the hype. Why? The writing is phenomenal. Writers never get credit. Everyone thinks they can write. Wrong. Writing is one of the hardest parts of filmmaking. Try writing a feature-length script. If someone says they can write, ask them how many features they've written. You'll find the bullshit real soon. Locke immediately puts you into this guy's world, makes him sympathetic and fascinating (he fucked up but he's trying to make it right), and establishes the stakes. This is life or death for him. His whole world is about to come crumbling down but he's going to try to stop that from happening. Yes, of course, Tom Hardy gives an incredible performance that seems head-scratchily low key at first but then you realize that is brilliant because it gives him so many places to go. If he was at 10 the entire time, you'd be bored. You get to see his entire range of acting, and it is amazing, but I just want to emphasize the writing again. Great writing makes all the difference. The film never cuts away from him in the car. It never shows you anyone else. You only hear the voices of the other actors. I can't believe it works but it does. It really does. I actually feel like I could see everything that was transpiring. I feel like I saw the other actors but I didn't. That's how good it is. Remember Phone Booth? That used the trick of a guy with a sniper rifle to keep you engaged. There are no guns in this movie! None. No car crashes. No police. It's just one fuckin guy going through the biggest crisis of his life. I know how that sounds but it's better than Phone Booth. A million times better. It's personal. Everything is on the line, and somehow it even makes pouring concrete seem exciting. It's nuts. I love this movie. So yeah. Tom Hardy in a car. For an hour and a half. I know, I know, but it's really that good. See it. Now.
Some possible spoilers so watch it first before reading and try to watch it without knowing anything about it. It's easy to see why this film got so much attention. The passion and love for movies is evident in every frame. Plus, it doesn't take itself too seriously, but they literally show you how difficult it is to make what you take for granted at the beginning. You can see all their trials and tribulations, trying to create that one long take. Usually, you watch an indie and you have no clue how tough it was to get that footage onscreen. It's clever too the way it switches format (even genre) and still works. In fact, it works even better, adding another layer to what you already saw. It's really genius when it comes down to it. They thought this through big time and did their homework. This film has blown up as much as The Blair Witch Project, and I think it clearly earns that status so hats off to these guys. Definitely seek it out if you haven't yet. You won't regret it.
The lighting and atmosphere is fantastic. How could you not love those demonic bikers? Like some fucked up cenobites on wheels. "The Reaper is coming." Gotta love that. Nicholas Cage is a lot of fun in this. I especially love the fate of the big baddie at the end. So well done. I burst out laughing because I loved it so much. It was over the top and perfect. Some really great gore FX all around. Glad to see practical. Lighting is so critical to horror but too often it's overlooked. It can make or break everything. I heard about the Cheddar Goblin before. It's easy to see why that stole the spotlight. It's hilarious. The dark humor is pitch black but it's great. My sense of humor exactly. If anything, I wish there were more monsters, and I don't think you need the bad LSD explanation but probably some viewers will want that. You could've gone even more weird and I would've happily gone along. The style of the filmmaking is so engrossing. It really makes this movie unique and a joy to watch.
I loved it especially that ending. I didn't think they'd go there, but they did. Damn. Takes guts to leave your audience like that. This is by far the best haunted object movie I've seen (I'm not counting Hellraiser or Evil Dead since those are more gateways to evil that don't focus on a *haunted* object whereas this is clearly about a *haunted* mirror... eh it's splitting hairs I guess but did ya see dem rabbits outside? big as trees I tell ya! they need splitting... with battle axes... ok maybe I'm a bit nuts). So yeah, the director refused to make this a found-footage movie even though that would've allowed him to finance it much earlier. You have to admire that. That is awesome, and this film is all the more amazing because of it. The writing and the way it jumps between timelines is brilliant. By the end, you realize how cunning the force in the mirror is and how many lives it has taken... it really is genius how everything unfolds. I saw Absentia before and liked it but this is just incredible.
Finally a new creature feature that actually delivers. Relying only on sign language and visual storytelling for so much of its runtime was a ballsy move: you're asking the audience to sit in near silence for long stretches. Sure, you get small sounds of people walking around, ambience, a fantastic score reminiscent of Sicario, etc. but some of your patrons are going to get antsy with no one talking and yet it's genius. Film is a visual medium and often the less dialogue, the better. Show, don't tell, is the old adage. The lack of people blabbing instantly puts you into the world of these characters where any sound could mean instant death and the opening quickly establishes these stakes. Whatever these monsters are, they're not fucking around. When a little space shuttle toy nearly comes crashing down to the floor, barely saved at the last second, the reactions on the faces of our protagonist tell you clearly how one little mistake like that could cost everyone their lives. It's phenomenal writing and such an amazing concept to create tension. You don't get any explanation for what the monsters are or where they came from and you don't need one. Those questions don't matter. It's all about survival. They use CGI for the creatures but even that is done very well and the monster design is so unique I can't fault them one bit. Everything works and what a great ending. I want to make films like this.
I enjoyed this way too much. I'm a huge fan of Frank Grillo ever since The Purge: Anarchy, and he gets a ton to do here plus you get Iko Uwais and Yayan Ruhian from The Raid battling these extraterrestrials with a nice dash of bloody brutality for good measure. What's not to love here? I was shocked this was the same writer as the first film because I really liked the characters a lot this time around. Truth to be told, I didn't hate Skyline. The FX were incredible. Yes, CGI but done at a professional level on a low budget (very low for Hollywood, impossible for indies) so even a practical FX junkie like myself has to admire that. It wasn't boring, heck I rather enjoyed it like if Roger Corman finally got some money (the alien designs looked great), but this sequel blows it out of the water. I was shocked at everything they did in this film and the amount of FX is staggering. Frank Grillo definitely owns this movie and you get some surprising deaths. I love how ruthless the aliens are, ripping out everyone's brains in gory gruesome fashion. That sounds ridiculous writing it but they completely won me over (yeah I'm probably not that hard to win over). Ok, the ending goes off the rails a bit maybe, well definitely, but still I had fun. Not sure I'd be down for another one. This felt like an overdose by the final scene but you have to give the writer/director a lot of credit. He came out swinging and did a hell of a job. Yes, I like Skyline 2. I admit it. It isn't Aliens by any stretch but I had a good time. Everybody has some guilty pleasures. Mine just happen to be a bloody dinosaur movie that rips off Aliens and the Punisher killing some cool-looking E.T.'s.
First off, Michael Ironside. That is always a plus but this film has so much imagination and heart I don't think you could resist it. Then they spray you with some over-the-top gore, chuck in a few laughs, and a little nostalgia with every kid's dream come true: a Power Glove that blows shit up. Hell yeah. So many post-apocalyptic movies are far too bleak and dour. You don't want to sit through them but this one makes the time fly. Of course, I enjoy depressing flicks sometimes but every once in a while, you need some bright colors or you can't appreciate the dark. Our heroes are sympathetic and interesting. The bad guys are a joy too. I didn't expect it to be so bloody but that is right up my alley. It's an odd duckling and that is why it's so charming. I can't believe this was a co-production between Canada and New Zealand. There is hope for us yet. If you're in the mood for a good time, put this on. You won't regret it.
I really love the humor and imagination of this film. Most importantly, it has real stakes. It's easy to like the characters and get invested. The film is a bit long (over 2 hours) but the time passed quickly and I thoroughly enjoyed it. My Japanese girlfriend suggested this to me. I'm glad she did too. Otherwise, I never would've known about it, and it's not a film I'd normally pick to watch, which is more my mistake than anything. The poster makes it look a bit like fluffy nonsense but it's not at all. The CGI is pretty good but the story, creativity, performances, and heart really are what make it special. The actress is charming, and I like all the creatures constantly popping up. You get your Mos Eisley scene with a colorful showcase of spirit dealers. My favorite character had to be the Binbogami whose purpose is to bring bad luck to those he haunts but his reaction to the wife is priceless and such a moving part of the film. It's worth watching solely for that.
Alright full disclosure: I got this confused with that Clive Owen Intruders movie (by the director of 28 Weeks Later released in 2011). In other words, I'm an idiot, but damn, this newer 2015 film was fantastic. I only read a really brief synopsis before watching it so I was shocked at what unfolded. I can't believe some people didn't like it. It only has a 5.7 rating on IMDb but I would easily put it at a 7 or 8. That said, don't read any spoilers or watch a trailer. Just like most movies, it's best to go in with a blank state (they give way too much away these days). One thing is for sure: you have to admire the actress. Her range is incredible, and the storytelling was perfectly executed. You get sympathetic characters that hook you from the start and a compelling beginning that turns everything on its head. This reminded me of Don't Breathe, which was another single-location thriller I really liked. I'm still curious though if that Clive Owen flick is worth watching.
I had seen the DVD cover to this but never checked it out, figuring it couldn't possibly be as good as the insane praise on the cover. "A modern Blade Runner" is pretty damn hard to live up to but I have to say I wasn't disappointed. Like a live action Japanese anime, this has gore, futuristic soldiers with guns, cyborgs, fantastic set design, ample rain and smoke, etc. I'm amazed they were able to pull this off. The lead actor is excellent with his conflicted feelings driving the narrative (you'll recognize him as the antagonist from Oldboy). If you're at all curious, I suggest going in spoiler free without reading anything so you should stop here because I'm going to give some crappy semblance of the story. R, our badass main man, used to be one of the best Military Police until he fell in love with a machine whose expiration date keeps inching closer while he tries to get enough cash to save her and avoid his suspicious boss who also happens to be his best friend. If that's not complex enough, another girl enters the picture and there's more to it than that once you find out the truth about the big bad cyborg shooting the place up. Needless to say, it's awesome and you even get some Robocop-esque squibs from time to time. Ok not quite ED-209 boardroom massacre size but definitely nice and bloody. Sure, there's some CGI that could be better but I don't think it's bad and you get some nice practical too. If you like Korean cinema or interesting bloody sci-fi, this is a gem waiting to be discovered.
If you never heard of this Japanese horror movie, you should check it out right away. It reminds me of Seven although Angel Dust is a more apt comparison but I saw the latter afterwards. The acting and cinematography is fantastic. You'll see imagery that won't make sense until later but I think it all clearly adds up in the end. Some might take issue with the plausibility of some aspects. Pay close attention though. The film gave plenty of justification to how this could be possible so I don't have any problem buying into it. I love these kinds of detective stories particularly when they are unaware of the real threat. It makes you want to scream at the screen but of course, our lead would have no idea the trap he is so carelessly walking into, which to me, is partly what makes it so effective. We would all stumble into that same dark jail cell without realizing what had happened until it was too late. Here comes some spoilers so stop reading if you haven't seen it yet. I thought a lot about Fallen after this but Cure is so much more clever and subtle in its mesmerizing execution. They're very similar but one is like a lunatic barking at cars in the street while the other lurks in the shadows, waiting for you to draw near. In film, the execution is everything. You could have the best script in the world, the best story, the best idea, but if your actors suck or the cinematography is terrible, if the music doesn't fit or the sound is wretched, it's all for nothing. You need that good script too though. That's why film is so challenging. All the pieces really have to come together, and I think that's clearly the case with Cure.
I really loved this one. It's extremely gory with a pretty cool werewolf (ok sometimes it doesn't look great but other times it does... kinda like a lot of werewolf movies). The shining red eyes are awesome, and you get plenty of nudity. If you couldn't tell from the title, it's an exploitation film. Sure, the budget was clearly low and the cinematography leaves a lot to be desired (kinda looks like it was shot on a DVX), but it's entertaining as hell, the lead lady is very lovely, and the practical FX are damn good for this level of production. They kept the story and characters simple, sending up both women in prison movies and werewolf flicks. It's a unique combination that works surprisingly well. You know Hollywood would never have the guts to do this. The fact they could pull this off at all on such a tiny budget is a miracle that should be applauded. If you enjoyed this, I suggest you track down a little indie called PMS Cop. It's another great one.
No, it isn't the Leonardo DiCaprio movie. Yes, I love that film too. This is an indie horror flick, and it's badass. Ignore the DVD cover. That made me not want to watch it... looks like glossy photoshopped crap but the actual movie rocks. It reminds of The Boondock Saints except better and all horror. I don't want to spoil anything but it's a very unique take on a certain subgenre pre-Dracula. I hadn't heard of it either but it blew people away at festivals and it's a ton of fun. Great black humor, cool FX, kickass story, and where it ends up is nuts. I guess it's more like Dead Heat but again it's in a league of its own. This is really the type of indie horror we should support. Can't wait to see what the writer/director does next, and I'm so glad I bought this. Very thankful to the other director that recommended it to me. I don't know how I missed this but that shows you good films really can slip through the cracks these days. I suppose me being overseas didn't help.
Prepare for a lot of cameos in this one: Kane Hodder (Jason! Hell yes!), Fred Williamson (From Dusk Till Dawn!), and David Carradine. Plus, Eva Mendes in one of her first film roles. I think it's obvious this sequel was made by a horror fan but it didn't do much for me unfortunately. It has that same generic setup of some college kids who take a wrong turn and end up in Slasherland. The main evil child isn't believable at all. You hate him immediately (and not in a good way). The cameos are nice and do help it a bit but it's pretty dull. There is a grain silo with flames coming out of it, which I guess is their version of the corn monster, but it's disappointing. Typical cult thing except Carradine's character is used as their puppet spokesperson. These Children of the Corn sequels are pretty forgettable. It's just crazy they made so many of them, and I have to be nuts for watching them. We really need another Friday the 13th. Just have fun with it and don't take it so seriously.
HP Lovecraft films are pretty rare (thank you Stuart Gordon!) much less a sequel to an HP Lovecraft movie but that's what we got here and the real kicker: I think it's better than the original. I know... the horde is coming to get me as I write such unbelievable blasphemy, but alas, it is true. I didn't even want to watch this but I was so shocked to discover there was a part two to The Unnamable that I couldn't help myself. It's like finding out there are five Silent Night, Deadly Night movies... what?!?! How could they possibly make so many? Never mind that, it's crazy sequel time! The Unnamable II picks up right where the first film ended, and immediately, I would say it is far more interesting with better characters, writing, directing, etc. Sallah from Indiana Jones is even in it! You get a lot more of the monster too and more kills, bloodshed, etc. It's more entertaining than the original, which I barely remember except for the end, and the story is extremely different. I was genuinely surprised and a bit saddened by the conclusion of part two whereas the first film didn't even register.
This is such a strange sequel. The main character is also named David like our hero in the first one but different actor, they add a last name, give him a wife and son, etc. He's clearly not the same guy. Both are cops though but this film has no references at all to the events in the original movie. If he was the same fella, he'd remember he was attacked by a giant alligator before, right? I don't think that's something you forget. So it's basically a crappy remake. Ok crappy is a little harsh but it's nowhere near as good as the first film. I was really surprised Alligator was so good. That gave me (admittedly foolish) high hopes for this follow up. I wonder why they chose to ignore the first picture. I do like Steve Railsback (Lifeforce!) and of course Dee Wallace but the charm and intellect is gone. Yes, I thought the original was smart for a giant alligator flick. I was hoping with the sequel's subtitle, they'd make the creature into more of a monster but no dice. I like the alligator rampaging through the carnival, and *spoilers* *spoilers* *don't read past this* the death of Railsback's big baddie Vinnie. That was a fitting demise. *end spoilers* But pretty much everything in this was done better in the first film, and it's pretty dang odd for a sequel to not reference the original in any shape or form at all especially when the first Alligator was actually really good. Robert Forster is sadly missed.
Well, you get Naomi Watts this time in one of her very early roles. Does that help? Not really. She plays an assistant to a local doctor. A job she gets when coming home to visit her ill mother. They show how all these regular children get sick at the same time (fevers for everybody!). After which, they become the titular corn kids (could you imagine that awful title? please don't but how about the prequel Corn Babies... I know, I know, cinematic gold... trust me). This entry feels quite slow and boring. They must have taken the budget down to zero. You get absolutely no corn monster. People give number three a lot of crap but man that movie goes bugnuts monster massacre in the last 30 min and it is awesome. I had no idea how spoiled I was until I watched this. Number two is definitely the best sequel so far with three being super close due to the finale alone but I'm afraid it's all downhill from here (maybe five is better? hope so... I'm a sucker I know). This film feels like an unnecessary tedious origin story. Almost like a prequel to the original even though it isn't. I guess it's attempting to inject more drama and suspense but I don't think any of it works. A low-grade sequel like this should at least be fun and good grief, I want my corn monster! Sorry, "he who walks behind the rows." One of the dang kids is supposed to be "he who walks behind the rows" here... ugh. You don't even get the bowling ball rolling underneath the ground. Zip. Zilch. The doctor does get cut in half... alright. Apparently, the doctor's office is haunted by the evil corn kids because they randomly kill Naomi's friend there too. But this movie is seriously lacking in every department. Did the people making this watch the other films? The audience is light years ahead from the very beginning, which is a horrible idea. It makes your film immediately boring like it opens with the mom's dream or future prediction of some evil kids coming. Whatever. We already know that's going to happen. Quit wasting our time. Ah who am I kidding? Clearly I have some time to waste if I'm watching this :) Did I just type a smiley emoji? Did I just type "emoji?" Oh please God, kill me. Kill me now. What have I done? What demons hath the internet spawned.
If you haven't seen these, I highly recommend you check them out ASAP. First up, Schoolgirl Apocalypse. It's cool as hell. Very original post-apocalyptic scenario with only the men being infected, excellent directing and action, etc. It deserves a lot more love and attention. Second, End of the Line. Maurice Devereaux should already be a household name. The guy self finances all his own films. Think about that for a second. He put $200,000 of his own money to make this flick. That alone takes guts but it's a damn good movie too. I also love Slashers. You gotta see his work. Third, The Human Race. I don't know why people are being jerks on IMDb but this is another fantastic tiny-budget indie. It takes risks Hollywood would never dream of and they all pay off in spades. Last but not least, The Demon's Rook. Awesome practical FX labor of love. Cool monsters and a fun time. I really wish these guys would make more films. So please support their stuff. Believe me, it's worth it.
Correction: they definitely show the corn monster in number three. Excuse me "he who walks behind the rows." Corn monster doesn't sound nearly as cool. This film is sadly weaker than part two. The opening makes you wonder if your brain gave up and forgot the second one because there's no continuity. All of a sudden you get two new kids in a cornfield with a drunken abusive father... ok. I had to double check and make sure both Joshua and Eli are new characters. Yep, they are. This sequel is very so-so until about the last ten or twenty minutes. Then it just goes nuts. You get an ugly huge latex beast that resembles the mutated dog in The Thing if it had been accidentally crushed by the prop guy. I love it, and the body count goes through the roof. All of a sudden, you get corn tentacles flying between a girl's legs (WTF), tentacles using sickles to hack people up, a guy getting hung to death by a tentacle (it's a sight to see), etc. Talk about a frenzy of blood and death. More than makes up for what came before, and it's funny too because you think the movie is over when all this insanity explodes onscreen. Genius ending but you know they're going to completely ignore the last teaser of the corn going worldwide. I'm quite certain the next one isn't set overseas. By the way, I have to mention the absolutely brutal demise we get for Malcom. Why does this poor guy have to be so eviscerated? I mean damn. He was a good sympathetic character and they make his death so gruesome like they just had to top Predator with the ultimate nasty spinal fatality. Geez. Couldn't Eli go out that way? That kid got annoying fast and I thought the demonic brat in two was tiresome. At least, they showed Micah getting possessed like he had a little extra dimension to him but this kid is too young and baby faced to be in charge. And what was with his outlandish fireball power? Eh whatever it's always going to be hard to pull off an evil kid. Done right like The Exorcist and it's unnerving (Dick Smith's phenomenal makeup went a long way though) but if it's done wrong, laugh-out-loud cheesy.
I love how the *second* film in the series already has the word "final" in its title. Talk about calling the game early. I can't explain it but I have a strange fascination with these bad Children of the Corn sequels. Mostly, I think I'm a sucker for the monster hiding in the corn at the end that they pretty much never show. "He who walks behind the rows." Sounds cool, and they do The Thing trick where you have something moving under the ground (I wonder if they also pulled a bowling ball beneath the surface). I would argue there actually are some good things in this movie. You get some nice gory deaths like the glasses guy bleeding out of every orifice on his face during the church sermon. Ned Romero who plays Frank Redbear, the Native American professor, is a fantastic actor, and despite the unnecessary cliche coda with him (good intent but a little hokey), he pretty much steals the show. I love the clever bit of dialogue where he says the earth isn't in balance then the reporter asks him if that's what happened in Gatlin. Heck no, those kids went psycho and murdered their parents! Not an exact quote but it's a hilarious little moment. The young girl in it is pretty and they give her a silly showering-under-a-waterfall scene so you can get the obligatory swimsuit shots (hey gotta keep that male audience interested). The acting really isn't that bad although the evil leader of the kids could be better at times but what do you expect? I do actually like the dad and son characters. Even the lady in charge of their bed and breakfast is charming. Hard to believe a simple short story from Stephen King would go on to spawn so many sequels but I guess it's not that surprising in Hollywood. This is probably the best of the sequels but I just bought the 6-film collection so I can dig through all the rest to make sure (I'm a glutton for punishment). I've seen some of them before but they all kinda blend together (and the result ain't pretty). For some odd reason, I thought Redbear was in the first film too but I was wrong. Shows you what I know.
Here is a fun exploitation flick overflowing with style and energy. The girls all have a ton of screen presence, and the story makes you anxious what will happen next because you know things could go off the rails at any moment. Supposedly made for a budget of only $45,000, I would argue every penny is up on the screen. The music is catchy too, setting an irresistible tone. Of course, they're not taking themselves seriously with this so neither should we. Just sit back and enjoy the ride. I've seen quite a few movies lately but none had this much spirit. I wish we'd get more movies like this nowadays. All our micro-budget indies seem to be way too dour. I'm sure there must be some lighter ones but doesn't seem like we get fun exploitation like this anymore. Deathgasm was pretty awesome although more horror than this but both have tons of charm.