Monday, May 25, 2020
The Perils of Filmmaking in Tokyo
But if you're like me, you have to bring back a bunch of gear on the plane. Then depending on where you're filming (and whether you're doing an FX heavy movie or not), you might need a storage unit because space is extremely hard to come by in Tokyo.
Shooting outside is very tricky too. You better be ok with people in the background because an empty street is hard to find and usually once you find one, it doesn't stay that way for long so you have to wait (particularly difficult on long streets). Or you can try to remove unwanted cars and people in post (not recommended). Random pedestrians coming and going can create continuity nightmares unless you're very careful with your shots. But Tokyo is of course an extremely cool and unique shooting location so I'd say it's worth it. The noise from trains, cars, bikes, etc. is another hassle but that's a big city for you (heck, even in the woods of rural Missouri I was surprised how many planes and distant cars you could hear).
I don't think actors are too hard to find with such a large population especially if you're filming inside Tokyo. One invaluable tool to help you would be Cinema Planners. That website is amazing and completely free to use. You might need someone to help you post in Japanese or you can try your hand with Google Translate (risky) but it's a phenomenal resource. Meetups can also be good too for connecting with actors and crew.
So is it more difficult filming in a foreign country vs. your own? Unequivocally, I think that answer is yes. The language barrier really can't be underestimated since it can become an obstacle in so many ways: the script, finding people, communicating with them (not just on set but messaging prior to get them there and make sure they have what they need), etc. Misunderstandings are inevitable. You probably also don't want to just take an idea imagined in one country and throw it into another since cultural differences could make it irrelevant or silly (at the very least, some revisions might be advised). You need to know the place and the culture where you're shooting unless the film is about not knowing and being an outsider (even then you don't want to incorrectly portray the culture and place where you're shooting so research is essential and obviously you should respect both).
Tokyo is an extremely interesting, amazing city. One of my dreams was to make a movie here so I feel very fortunate to have such an opportunity. Any time you create a film you have to expect it to be difficult. Problem solving is like 99% of filmmaking but it's also incredibly fun and exhilarating. After all, the more you roll with the punches, the better you get at it and the more you learn.
Thursday, May 21, 2020
Mon Mon Mon Monsters (2017) is a wicked great movie.
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